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 Whisper to me from across the hill  49”x 53”x24”   Madrone, Manzania  Influenced by Thomas Moser’s alienation bench. Two seats are carved adjacent from one another creating a bench where your stated physically close to anther but not facing. The crest shape and the bench facets lines are thee- dimensional renderings of lines found on topographical maps from around Fort Bragg, Ca. The playful lines and forms emphasize the surrealist nature of the work.

Whisper to me from across the hill

49”x 53”x24”

Madrone, Manzania

Influenced by Thomas Moser’s alienation bench. Two seats are carved adjacent from one another creating a bench where your stated physically close to anther but not facing. The crest shape and the bench facets lines are thee- dimensional renderings of lines found on topographical maps from around Fort Bragg, Ca. The playful lines and forms emphasize the surrealist nature of the work.

Soybean Madr Bench-14.jpg
Soybean Madr Bench-4.jpg
Soybean Madr Bench-10.jpg

Whisper to me from across the hill

49”x 53”x24”

Madrone, Manzania

Influenced by Thomas Moser’s alienation bench. Two seats are carved adjacent from one another creating a bench where your stated physically close to anther but not facing. The crest shape and the bench facets lines are thee- dimensional renderings of lines found on topographical maps from around Fort Bragg, Ca. The playful lines and forms emphasize the surrealist nature of the work.

 Whisper to me from across the hill  49”x 53”x24”   Madrone, Manzania  Influenced by Thomas Moser’s alienation bench. Two seats are carved adjacent from one another creating a bench where your stated physically close to anther but not facing. The crest shape and the bench facets lines are thee- dimensional renderings of lines found on topographical maps from around Fort Bragg, Ca. The playful lines and forms emphasize the surrealist nature of the work.
Soybean Madr Bench-14.jpg
Soybean Madr Bench-4.jpg
Soybean Madr Bench-10.jpg